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tarist Tom Searle and one of the most searingly honest metal albums to be released in years, made for a true career-defining moment. If there was an album in their catalogue where any apprehension about them being able to top it could sneak through, it would be that one, but that’s not to say that expectations for For Those That Wish To Exist are low. That couldn’t be further from the truth in fact, not when Architects have become the standard-bearers for shooting for the stars and hitting time and time again.
That’s to say that calling For Those That Wish To Exist a slight step back is more of an understandable reality than any greater condemnation or criticism, and probably isn’t all that fair in itself when Architects are still on exemplary form. Their approach to making music has become so laser-focused that it’s practically impossible for them to make an outright dud at this stage, but it’s still flooring how much they bring to each new release when they really don’t have to. If there’s a band in modern metal who could coast by on good will, it’s Architects, but the fact that For Those That Wish To Exist is perhaps their most cinematic and sonically enormous to date speaks volumes about how far they’re willing to push themselves on such a regular basis. It’s not a huge departure in itself, but the extent that Architects go to is where those thrills come from, and this album has no short supply at all.
For Those That Wish to Exist is the upcoming ninth studio album by British metalcore band Architects. It will be released on 26 February 2021 through Epitaph Records. The album was produced by Dan Searle and Josh Middleton.
The thing about existence—at least for organic life anyway—is that it necessitates evolution. Pressures both internal and external force characteristics and traits to continually change and evolve. Typically, these changes are small and gradual, but when viewed cumulatively, they combine to have a lasting effect on the organism. This slow metamorphosis ultimately works to create something new, something different—all in the name of survival.
Without this process, life in its great cosmic wisdom will inevitably grind you down to the primordial dust you came from. In this way, evolution is the only thing standing between us and oblivion.
British metallers Architects understand this concept better than most. 2018 saw the release of their eighth studio album, Holy Hell, their first release without lead guitarist Tom Searle, a founding member of the group and principal songwriter who passed away two years prior following a private three-year battle with cancer.
Holy Hell was fraught with loss and vulnerability, with compositions that provided much-needed catharsis to confront and overcome emotions of grief and despair. But, perhaps most importantly, tracks like “Mortal After All,” “Royal Beggars,” and the elegiac “A Wasted Hymn” hinted at the group’s future trajectory.
Across their near-twenty-year career and extensive back catalogue, Architects have undergone rapid and drastic changes. Compare a track from 2006’s Nightmares, their molten mathcore debut, side by side with one of their most recent efforts, and the contrast is stark indeed.
Much has already been said about the slew of pre-release singles from their ninth album, For Those Who Wish To Exist: the compressed guitar-rock of “Animals” and “Black Lungs”; the melodic undercurrent and sweeping orchestral arc of “Dead Butterflies”; the soaring radio balladry of “Meteor.”