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Deftones released the title track of their coming record Ohms on Friday and the reception has been pretty positive overall. In an interview with NME, vocalist Chino Moreno said the single is a pretty accurate representation of the record.
“It sounds like we’re in peril when the song starts with a riff that’s all angular and dirty, then all of a sudden it lifts up with the chorus,” he said. “That’s a good scope of where this record’s at, and as a Deftones’ song in general. That yin and ying of what we’ve always done of making very brutal music while having these lush overtones and undertones within it is what makes us who we are.
Deftones have announced their new album Ohms — the band’s first album in four years — and with it have shared their ninth studio LP’s first single and video for the title track. The follow-up to 2016’s Gore, Ohms arrives September 25th via Warner Records.
In the Rafatoon-directed visual, band performance video is interspersed with scenes from a dystopian world, mirroring the musically and lyrically heavy song sentiments. “We’re surrounded by debris of the past,” Chino Moreno sings. “And it’s too late to cause a change in the tides/So we slip into our hopeless sea of regret.”
In June, Deftones marked the 20th anniversary of their landmark 2000 album White Pony with a virtual press conference and the announcement of an upcoming remix LP Black Stallion, which will feature all-new remixes of the White Pony tracks, each rendered by a different producer.
Due to the COVID-19 pandemic, Deftones were forced to postpone their summer tour with Gojira and Poppy to 2021. However, during the press conference, Deftones confirmed that their ninth studio album, now titled Ohms, had been completed after it was mixed remotely under the supervision of White Pony producer Terry Date.
Finally, after countless teasers, Deftones have officially announced their long-awaited, highly anticipated followup to 2016’s Gore, and released the first single. The album is called Ohms, it’s due September 25 via Reprise, and the first single is the title track, which closes the album.
Ohms reunites Deftones with producer Terry Date, who worked on their classic albums Around the Fur, White Pony, and Deftones, and Terry just knows how to get the perfect sound for Deftones, which immediately comes through on “Ohms.” Deftones have been on fire since 2010’s Diamond Eyes gave their career a second wind – they’ve become a rare band to emerge out of the alternative metal boom of the late ‘90s and early 2000s and go on to have serious longevity – but as good as their last few albums were, none balanced rawness, atmosphere, and clarity like the Terry Date-produced albums did, and that vibe reappears on “Ohms.” The song is a real air guitar-worthy riff-feast, but it sooner recalls the ethereal feel of White Pony than the blunt force of Deftones’ most all-caps METAL songs. It’s not a single that screams “we’re back!” or that sounds like it’s gonna have the same widespread impact as “Be Quiet and Drive (Far Away)” or “Change (In the House of Flies)” or “Minerva,” but it’s a song that gradually drills its way into your psyche and sounds better with each listen. (To compare it to another alt-metal band with surprising longevity, it gives me a similar feeling to when Tool finally released the lead single off last year’s Fear Inoculum and it was a slow-burner rather than an “Ænema.”)
It’s also no small feat how relevant this new Deftones song sounds 25 years after they released their debut album. Along with bands like Hum (who returned for the first time in two decades with an extremely good album two months ago) and Failure, Deftones have been a core influence on hardcore, punk, metal, and emo bands who aim to explore a shoegazier side, and “Ohms” sounds as fresh as a lot of the young, hungry bands that Deftones have inspired (like Higher Power, Loathe, and Greet Death, to name a few from the past year). They could’ve been relics of the nu metal era. Instead, you could mistake their new single for any number of the buzziest new bands in heavy music if you didn’t know any better.